Having experienced harsh scrutiny throughout my life, I liken my experience to that of zoo animals under constant observation, which heavily informs my work exploring ideas of perception and the mechanisms by which we interpret the world around us. I am particularly fascinated by the ways we craft narratives, piecing together our circumstances into cohesive stories we can share with each other, and, importantly, tell ourselves.
A crucial part of my practice is the process of mythmaking, where I create personal iconographies to explore various facets of my human experience. This allows me to examine and redefine my life through symbolic representations, offering new ways of understanding my identity. My attraction to mythmaking can be traced back to my childhood, where I found comfort in Greek mythology. As an alternative to organized religion, I found a colorful tapestry of stories and symbols that resonate deeply with my lived experience.
As I navigate these narratives, I also contemplate the gender constructs I am expected to perform, and to what extent these performances are designed to distract us from deeper connections. By weaving these elements into my work, I hope to create a tapestry that inspires dialogue around the complexities of perception and the narratives we craft. My art serves as a way for me to understand not only myself, but the broader human condition, inviting others to reflect on their own experiences with observation and interpretation.